Showing Records: 901 - 919 of 919
wrapping up the Christ problem (30JAN1968) / Houedard, Dom Sylvester., 1968
Wrist Watch Valentine's Greetings / Jan Baker., 2010
This annual gift to the Sackner Archive is shaped like an actual wrist watch. The card reads," 2010 Take time 2 do what you want. Love, Jan Baker and Mark Kaplan." -- Source of annotation: Marvin or Ruth Sackner.
Wrist Watch Valentine's Greetings / Jan Baker., 2010
This annual gift to the Sackner Archive is shaped like an actual wrist watch. The card reads," 2010 Take time 2 do what you want. Love, Jan Baker and Mark Kaplan." -- Source of annotation: Marvin or Ruth Sackner.
Writing / Reese, Marshall ; Ligorano N., 1980
One section of this book depicts fragmented textural poems, the othe cut-ups after William Burroughs. The end papers consist of calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.
Written on the Road / Stetser, Carol., 2010
Eight of the prints are titled Road/Asemic and are numbered 1 to 8. The images are of black asphalt road repairs. The folder also contains three prints titled East/West that are numbered 1 to 3. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: [I am Concealed]. No.24 / James Koehnline., 1992
Xerolage: Infrapics. No.35 / Irving Weiss., 2005
Weiss writes that Infrapics "ultimately derive from the presentation of an image, icon, or text with identifying or explanatory words...going back to the emblem poem." Stored in Weiss box. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Pataphysic Italy. No.6 / Serse Luigetti., 1986
Yeah: Do You Fit This Picture?. No.8 / Tulli Kupferberg, editor ; Kupferberg T ; Fay A., 1963
Yeah. No.2 / Tulli Kupferberg, editor ; Kupferberg T ; Yevtushenko Y., 1962
The loose sheet is a listing of Birth Press publications. -- Source of annotation: Marvin or Ruth Sackner.
Z'A Zone' Alterite / Hubaut, Joel ; Hubaut A., 2001
For this project Joel Hubaut rearranged products of a Japanese supermarket. He wanted to produce the following project: list the products in the supermarket above which Le Parvis is located, not by activity sector but by colour. Even if supermarkets invariably adopt the same presentation of their goods because it's convenient, it is still quite possible to rethink the shelves on the basis of other criteria, and alter the way things are arrayed. Duchamp dealt with the 'declassification' by giving the object a new environment. Here it's the objects which, themselves, make up this new environment." -- Source of annotation: Marvin or Ruth Sackner.